Partridge interviews Lansdale

In a taste of absolute awesomeness, Norman Partridge has a short interview with Joe Lansdale.

Yeah, I'm not sure I can handle it either.

"Road Dogs", by Norman Partridge

Does telling the reader what kind of story “Road Dogs” is spoil the surprise of discovering what kind of story it is? Would knowing up front give a different expectation and reading experience than if one did not know?

I think it might, so with that tease, go read “Road Dogs” from Norman Partridge. The story is up over at Subterranean and is well worth checking out.

To give a brief overview, a man who is estranged from his sister returns home when he is notified that his sister was murdered. Gary believes that his sister was killed by her boyfriend Kale. The police claim it was an accident. Gary’s ex-girlfriend doesn’t want him to get involved and would rather he let the police handle it. But Gary can’t, because he knows it was Kale.

That’s the set up. What Norman Partridge does with “Road Dogs” is not to be missed. Top to bottom, the entire story has an edge to it, the characters an air of hardness, of violence in the past and promised for the future. It’s a setting that you would not want to walk into, except from the safety of being on the other side of the page. Everyone else is at risk.

There is set up, an "oh shit" moment, and then violence.

It is dark and it is dangerous and it is good.

Which, having read his World Fantasy Award nominated Dark Harvest, is exactly what one would expect from Norman Partridge.

Heinlein, eBear, Scalzi, and Partridge, oh my!

I’ve been lax in my short fiction reading lately, but Subterranean Online has some interesting stuff on the way.

Thus far, we have unpublished material by Robert A. Heinlein, an Old Man’s War universe outtake by John Scalzi, short fiction by Elizabeth Bear and C.S.E. Cooney, as well as a novella currently being written for us by SubPress favorite Norman Partridge. To cap all that off, we’ll be serializing a 50k word novel, The Disappeared, by horror master Ray Garton.

Heinlein, Elizabeth Bear, an OMW outtake AND Norman Partridge? Seriously?

The next two issues of Subterranean Online should be good ones!

Dark Harvest, by Norman Partridge

Dark Harvest
Norman Partridge
Cemetery Dance: 2006

Holy Shit! I knew Dark Harvest was nominated for a World Fantasy Award in the Novella category, but I certainly did not expect it to be this outstanding! Midway through the novel(la) I wanted to pick up the book, wave it around, throw it at people and insist that they read it right this very moment, even before I had a chance to finish it.

Here's the deal. It's 1963 in a small Midwestern town. Doesn't matter which one. They're all the same, except this: Five days before Halloween all the boys between 16 and 19 are locked in their rooms. Five days. They are fed nothing but orange juice. The older boys knows what is coming. For the sixteen year olds all they know are the stories, the legend:

You can't really blame him, can you? I mean, think about it. Remember when you were a little kid, the first time you noticed your older brother locked up tight five days and nights during the last week of October? Remember the first time you heard that the whole deal had something to do with a pumpkin-headed scarecrow that runs around on Halloween night? It wasn't exactly easy to believe that one no matter how scare you were, was it?

Not until you experienced it yourself, of course.

Until you were the guy locked up in your bedroom.

Hot damn! The narration here is reminiscent of a Joe Lansdale or Stephen King at his leanest and meanest best. It's all Partridge. He's not telling a story, he's driving it home to your living room and making you live it, feel it.

This may be a Halloween story and one which should be read with the lights turned low as the clock is about to strike midnight, but it's a chilling damn story any time of the year. Dark Harvest weaves a couple of viewpoints together in this suspenseful and World Fantasy Award nominated novella.

Dark Harvest is an outstanding publication, a tight, explosive story laced with violence and fear and small town ways. Dark Harvest is filled with horror and regret, secrets and lies.

Thank goodness Dark Harvest picked up the World Fantasy Award nomination. Otherwise, I would likely have missed it and my reading would have been the poorer for it. Not often do I read something and wish like hell I wrote it. I bet a lot of professional ad published writers read Dark Harvest and thought the same thing.

Read it. Now.