Tuesday, July 14, 2009

Lord of Chaos, by Robert Jordan


Lord of Chaos
Robert Jordan
1994

Early on in the novel Sammael is given an instruction by the Dark One: “Let the Lord of Chaos rule”. Now, the introductory quote tells us that this is a chant from a children’s game in the Fourth Age in Great Arvalon*, but in the context of the novel (and the series), Jordan is not clear about what exactly this means. The most straightforward reading that I can come up with is that this refers to Rand. As the Dragon, Rand is the Lord of Chaos, and the Dark One is giving Rand a fairly free reign to mess things up and turn the nations against him. To the Dark One, Rand is little more than a babe with a sword. Rand has been lucky, but will ultimately fail. That, at least, is the presumed perspective of the Dark One.

Is this the correct reading? Sammael aligns with Graendal and neither makes an overt move against Rand during this volume (at least not until Rand makes his own move). This is the reading that makes the most sense to me, but Jordan never spells out what he means.

An alternate reading would be that Padan Fain is the Lord of Chaos. This makes a certain amount of sense. After all, Fain is quite mad by this point and is barely controllable by anyone, so letting him do his thing could (and does) cause a variety of muddles…mostly regarding the Whitecloaks at this point, though they don’t need any help. Fain, or Mordeith, or Ordeith, or whatever he is calling himself at this point can certainly be considered the Lord of Chaos. Except that as interesting an option as Fain represents, he doesn’t make nearly as much sense in the context of the novel as Rand.

And what is up with that being part of a children’s game? That’s an awfully morbid game. On the other hand, we have our Lizzie Borden rhyme and the whole deal with standing in a dark bathroom with the door closed and saying “bloody mary” over and over again, so who are we to judge “let the Lord of Chaos rule”?


Now, in terms of the novel itself, we are beginning to settle into a routine at this point. As Adam Whitehead points out, we are into the political phase of the series and fairly well out of the adventure phase. Readers will respond very differently during the political phase and many who thoroughly enjoyed the first three or four novels will be less enamored with Lord of Chaos and the subsequent volumes. Yes, there are major action sequences that are iconic in the Wheel of Time series. Dumai’s Wells is a prime example of this and is perhaps the crowning moment of Lord of Chaos. Want to see the One Power used as a weapon in battle and the horror of what it can do? Look no further than Dumai’s Wells.

The bulk of Lord of Chaos, however, consists of the characters sitting around, plotting, no longer confiding in each other, Rand being “hard”, and strategizing as to what to do next. Or, more specifically, waiting. Lord of Chaos is not pure stasis, but some readers may perceive it as such.

Back when I first started to write about Lord of Chaos, two months ago, I wrote down a quick jottings of things I then wanted to touch on: Bit of plodding, Egwene as Amyrlin, Dumai’s Wells, more Rand being “hard”, beginning of the Min / Rand relationship, Asha’Man as warriors – what does the title mean?, re-emergance of Lan (barely), Alanna / Rand, Verin spending a lot of time looking mysterious and suspicious, getting Mat in Ebou Dar to meet Tylin, escape of Moggy, a couple of Halima / Aran’gar actions but otherwise not much there, Elaida.

At this point I don’t really want to discuss any of it, except that for me, those were the high points – or just the stuff that came to mind and worth calling out.

The thing is, this may not be enough for some readers and that’s okay. Robert Jordan cannot be all things to all people and he is telling a particular story in the best manner he knows how. This is not to excuse any perceived lapses or the decreasing speed of the narrative pacing. It is just to state that the style of the series has changed and by this point Wheel of Time is not a story of grand adventure. The characters are growing up. There is some development, though they retain most of the traits they had before, only now writ large. Rand is perhaps the notable exception because Rand is the blank canvas on which Jordan is painting this novel. He began as a fairly standard and generic heroic boy of prophecy, only now we see Rand carrying the weight of the madness of saidin and the weight of the expectation of prophecy. Being the Dragon Reborn was always something to be feared, not celebrated.

The following statement can be leveled at more than a couple of Wheel of Time novels: The Lord of Chaos is an uneven novel. Overall, I’d consider it to be a good one.


*Great Arvalon? Assuming that this is a quote from the NEXT age and not the last Fourth Age (which should be long forgotten), one can guess that it is part of the how names change over time – something explicitly mentioned more than a handful of times in this series. So, Great Arvalon was once Tar Valon. But who can say exactly how the city of the Aes Sedai has changed?


Previous Reviews
The Eye of the World
The Great Hunt
The Dragon Reborn
The Shadow Rising
The Fires of Heaven

Monday, July 13, 2009

Boneshaker: Chapter One

Because I have no actual content until tomorrow morning, here's something more awesome than me.

Cherie Priest has posted the first chapter of her forthcoming and almost guaranteed to be awesome novel Boneshaker.

stuff I really swear I'm going to do

I've been feeling all kinds of slack lately, so I wanted to publicly remind myself what I plan / want to do in the next two weeks for this blog.

Book Reviews
Lord of Chaos, by Robert Jordan
A Crown of Swords, by Robert Jordan
Warbreaker, by Brandon Sanderson
Spicy Slipstream Stories, by Nick Mamatas and Jay Lake (editors)
Forty Thousand in Gehenna, by C. J. Cherryh

Those are four books I've finished and just need to sit down and write about.

I'm reading JJA's Federations, so that'll be soonish. The above five, though, should take first priority.

Sunday, July 12, 2009

catching up with my anticipated reading list

Way back in January I posted about the 16 books I was most interested in reading this year. The list was focused on 2009 titles. I haven't been this reflective in the past, but let's take a look to see how I'm doing.

1. A Memory of Light, by Robert Jordan and Brandon Sanderson
2. A Dance with Dragons, by George R. R. Martin
3. Best Served Cold, by Joe Abercrombie
4. Seven for a Secret, by Elizabeth Bear
5. The Best Science Fiction and Fantasy of the Year: Volume Three, by Jonathan Strahan, editor
6. Chasing the Dragon, by Justina Robson
7. The Revolution Business, by Charles Stross
8. The Walls of the Universe, by Paul Melko
9. The City & The City, by China Mieville
10. City Without End, by Kay Kenyon
11. The God Engine, by John Scalzi
12. Steal Across the Sky, by Nancy Kress
13. Warbreaker, by Brandon Sanderson
14. Federations, by John Joseph Adams, editor
15. The Son of Retro Pulp Tales, by Joe R. Lansdale
16. Republic of Thieves, by Scott Lynch

Starting with the strikethroughs, that's what I've read - with two exceptions. I haven't read Seven for a Secret, but I own it and I plan to read it in the next month. Maybe it shouldn't have a strikethrough. I also own Federations and I'm a couple of stories in. That counts.

Not everything on the list has been published
A Memory of Light: The Gathering Storm (November)
A Dance of Dragons (Q4, maybe?)
Chasing the Dragon (August)
The God Engines (December) - preordered
The Son of Retro Pulp Tales (August)
Republic of Thieves (.............)

The Strahan is due next week, I think, and that's also preordered (got a shipping confirmation last week)

All told, I'm not doing too badly in terms of reading what has been published. Best Served Cold is on hold with the library (listed as "on order"). I expect to read the Nancy Kress this year, but I'm not sure about the Mieville. It deserves its place on the list, but Mieville requires this emotional investment to pick up the book that I'm just not prepared to work up to. His stuff is heavy.

Here's the good news: Everything (except one novel) that I have read from this list has been quite good. I don't expect many more disappointments (The Revolution Business being the one).

Still a good list and I look forward to reading the rest of them.

Saturday, July 11, 2009

The Clockwork Century

Stonewall Jackson survived Chancellorsville. England broke the Union’s naval blockade, and formally recognized the Confederate States of America. Atlanta never burned.

It is 1880. The American Civil War has raged for nearly two decades, driving technology in strange and terrible directions. Combat dirigibles skulk across the sky and armored vehicles crawl along the land. Military scientists twist the laws of man and nature, and barter their souls for weapons powered by light, fire, and steam.

But life struggles forward for soldiers and ordinary citizens. The fractured nation is dotted with stricken towns and epic scenes of devastation—some manmade, and some more mysterious. In the western territories cities are swallowed by gas and walled away to rot while the frontiers are strip-mined for resources. On the borders between North and South, spies scour and scheme, and smugglers build economies more stable than their governments.

This is the Clockwork Century. It is dark here, and different.

Cherie Priest has a new website for the world of The Clockwork Century - the setting of her forthcoming novel Boneshaker.

The website is quite gorgeous and gives background on the world (the quoted passage is from the website), the two planned novels, and the two stories. You can read "Tanglefoot" now.

Boneshaker is one of the novels I am most excited to read this year.

So - check out the website, read "Tanglefoot", and then get ready for some Cherie Priest goodness. All four of her full length novels have been outstanding.

Friday, July 10, 2009

The Situation, by Jeff VanderMeer


I dedicate The Situation to all of the passive-aggressive emotional vampires, cowardly blunderkinds, narcissistic sociopaths, and incompetent power-abusing managers currently lurking amongst unsuspecting office workers everywhere.

The above is the acknowledgment to Jeff VanderMeer's novella The Situation. Given the dedication, this is a story set in a corporate office and features a long suffering office worker with a worsening work-place situation. That's something so many of us are facing today, though to be honest, it's not a new situation for employees to be in. So, in that sense, The Situation is a perpetually topical story.

What makes The Situation stand out is that VanderMeer takes all the mundanity of working in an office and combines it with elements of absolute fantastic. The narrator's office is filled with the weird and surreal. The narrator appears to make educational products, except they are educational beetles that can crawl into an ear and teach the recipient. A major project is to make a fish that will swallow a child and after sensory deprivation, increase the child's facility at math. The corporate world of The Situation is utter madness.

If a story can truly be said to be "about" anything, The Situation is about a poisonous corporate enviornment. Coworkers once considered friends change as they are promoted. Managers can be absolute monsters. A new employee can alter the atmosphere of a workplace. It's a perfectly common story told with fantasatic literalizations of what occurs in offices around the country (perhaps world).

Damn, Jeff VanderMeer nails this one.

The Situation is available for download.

Thursday, July 09, 2009

First Half of 2009: The Nine Best Reads

Time for a quick review of the best books I’ve read in the first half of 2009. Now, bear in mind that only three of the nine are 2009 publications. This list isn’t about the best books published in 2009 (I do a list of that at the end of the year) but just about what the best of what I’ve read so far this year.

This list is not in ranking order, but rather the order in which I read each of the nine.

Fathom
, by Cherie Priest
A Companion to Wolves, by Sarah Monette and Elizabeth Bear
Last Argument of Kings, by Joe Abercrombie
The Sparrow, by Mary Doria Russell
Hand of Isis, by Jo Graham
City Without End, by Kay Kenyon
Lamentation, by Ken Scholes
Ammonite, by Nicola Griffith
Cyteen, by C. J. Cherryh

I’ve linked up my reviews of each.

I’m rather curious which books will make my end of year list for the top nine books I’ve had the pleasure to read. I suspect Ammonite, City Without End, and The Sparrow are near locks. Hand of Isis won’t make the final list (I almost cut it from this one). The rest? It’s going to be tough paring down the top nine for the year. I recently read a novel which is sure to make my list.

Good stuff here. Gotta tell you.

Wednesday, July 08, 2009

SCIFICTION archives

Though Scifi.com took down the archives, thanks to the wonder that is the internet, the archives to SCIFICTION are still available. There are some heavy-hitters there.

Lucius Shepard
Elizabeth Bear
Howard Waldrop
Kristine Kathryn Rusch
Michael Bishop
Kim Newman
Jay Lake
M. Rickert
Elizabeth Hand
Jeffrey Ford
Robert Reed
Bruce Sterling
Walter John Williams
James Patrick Kelly
Scott Westerfeld
Gene Wolfe
Maureen McHugh
Charles Stross
Cory Doctorow
Nancy Kress
Kage Baker

That's just a glimpse of the original fiction. There are classic reprints from folks like Joan Vinge, Howard Waldrop, Samuel R. Delaney, Theodore Sturgeon, and Roger Zelazny

many others

"Shadow Twin", by Gardner Dozois, George R. R. Martin, and Daniel Abraham (the story that would become Hunter's Run)

There's an Octavia Butler story I've never read or heard of, "The Book of Martha", and another, "Amnesty"


Seriously, it's a treasure trove of fiction.

(thanks goes to SF Signal's Facebook page for the link)

Tsunami, by L. Timmel Duchamp


Tsunami
L. Timmel Duchamp
Aqueduct Press: 2007

Tsunami is set almost ten years after the conclusion of the previous volume in the Marq’ssan Cycle, Renegade. Tsunami does not reboot this series, exactly, but it refocuses the nature of the storyline. The Executive is once again operating openly in the world and in the wake of years of war, consolidating power. The Free Zones, under the nominal protection of the Marq’ssan, are building the vision the Marq’ssan presented – that of a free and cooperative society. The leaders of the Free Zones are building alliances and cooperation with other, more supportive governments, and are working towards equality.

There are three primary character perspectives in Tsunami: Elizabeth Weatherall, Martha Greenglass, and Celia Espin. After the first two novels, Weatherall and Greenglass are rather well known characters. Celia Espin is new. She is a human rights lawyer who, for doing her job, gets in trouble with the Executive. This brings Celia into the larger narrative of Tsunami – that of the conflict between the Free Zone and the Executive. Or, more accurately, the conflict complete social and political change.

Ultimately, Tsunami is a novel about power. The power of the Executive. The power of the Marq’ssan. The power of the Free Zone and the power of change. One of the many ways Duchamp demonstrates this is through Elizabeth Weatherall. Weatherall has been the de facto leader of the Security branch of the Executive for more than a decade. As the personal assistant to Robert Sedgwick, she wielded Sedgwick’s power when he was not able to. Weatherall had all the power of Security in everything but name. At any time any of the other senior leaders of the Executive could trump Weatherall by going to Sedgwick. Tsunami features a major power struggle between Weatherall and Sedgwick and this struggle is central to the narrative and the shape of the series.

This is a highly political novel filled with depth of thought. Duchamp uses dialogue and the inner narration of the characters to explain political and power philosophy. Duchamp may be a bit blunt and obvious in the handling of this political discourse, but by this point it is part and parcel of the story Duchamp is telling. She is telling a political and feminist story, and if that was going to be a problem it would have been a problem in Alanya to Alanya.

I hate to use cliché when talking about a work of this depth, but Tsunami is, in a sense, a case of the “dread” Middle Book Syndrome. First, it is a true middle novel, the third of five. That has nothing to do with the Syndrome because some book HAS to be the third book of five. The thing is, on a superficial level, Tsunami fits the bill. Duchamp moves characters from Point A to Point B (not necessarily physical locations, but in story terms) and sets up the direction of the series is to go with the next volume Blood in the Fruit. Specifically, I’m talking about Elizabeth Weatherall. Weatherall opens Tsunami in her previous role as Sedgewick’s Personal Assistant but in the very first pages Sedgewick confronts Weatherall with her actions in Renegade, the emotional torture and breaking of Kay Zeldin. This sets the tone and the gradual change in Weatherall’s position and political beliefs. Weatherall, more than any other character in Tsunami, is absolutely central to the story Duchamp is telling with this series and it is the changes in Weatherall that will set up Blood in the Fruit.

The thing is, there is far less of a clearly defined story in Tsunami than there was in either Alanya to Alanya or Renegade. The three character perspectives do not come together to build a unified whole. Rather, they remain mostly distinct stories which serve to better set up the next two volumes. This does not make Tsunami any less readable or enjoyable, but it does prevent Tsunami from in any way standing on its own as a novel. It is entirely dependent on what came before and what will come next. That’s fine, but it worth noting that what readers may have expected after Renegade is not at all what Duchamp gives the readers. The tension does not ratchet up as it did with the Weatherall / Zeldin showdown in Renegade. The closest to that sort of dramatic tension that is contained within Tsunami is the political / emotional interactions between Weatherall and Sedgwick. While these are arguably the highlights of the novel, they do not deliver the same visceral punch as did the first two novels.

In the end, Tsunami is a solid novel, if not as impressive as the previous two. It sets the stage for what are likely to be two explosive (politically, if not with action) novels. The fallout from Weatherall’s actions and the larger role the Marq’ssan took in this novel will be worth checking out.


Previous Reviews
Alanya to Alanya
Renegade